Le Mus\u00e9e Charles de Bruy\u00e8res m\u00e8ne actuellement une importante restauration du tableau \u00ab\u00a0Oiseaux de nuit : sc\u00e8ne de cambriolage\u00a0\u00bb, r\u00e9alis\u00e9 en 1911 par Paul Descelles, peintre originaire de Saint-Di\u00e9-des-Vosges. Cette \u0153uvre, l\u00e9gu\u00e9e par la femme de l\u2019artiste, poss\u00e8de une histoire mouvement\u00e9e : disparue des collections du mus\u00e9e de Remiremont entre 1933 et 1976, elle avait \u00e9t\u00e9 signal\u00e9e comme vol\u00e9e avant d\u2019\u00eatre finalement retrouv\u00e9e gr\u00e2ce aux recherches d\u2019Aur\u00e9lien Vacheret, conservateur du mus\u00e9e, qui l\u2019a localis\u00e9e via internet au mus\u00e9e de Saint-Di\u00e9-des-Vosges.<\/strong><\/p>\nD\u2019imposantes dimensions (2m x 2m60), cette toile fait partie d\u2019une collection de deux toiles, aux c\u00f4t\u00e9s d\u2019une version de 1907. La restauration, confi\u00e9e \u00e0 Igor Kozak, expert bas\u00e9 en Meuse, consiste \u00e0 redonner \u00e9clat et lisibilit\u00e9 \u00e0 l\u2019\u0153uvre en \u00e9liminant la salet\u00e9 accumul\u00e9e, en \u00e9claircissant le vernis assombri par le temps, et en v\u00e9rifiant le montage du ch\u00e2ssis. Toutefois, l\u2019intervention respecte scrupuleusement l\u2019int\u00e9grit\u00e9 de la peinture : certaines craquelures, t\u00e9moins naturels de l\u2019alt\u00e9ration des mat\u00e9riaux utilis\u00e9s \u00e0 l\u2019\u00e9poque, ne seront pas retouch\u00e9es afin de pr\u00e9server l\u2019histoire et l\u2019authenticit\u00e9 du tableau.<\/p>\n
Cette restauration, qui n\u00e9cessite trois jours de travail sur place, est pr\u00e9c\u00e9d\u00e9e d\u2019une longue phase pr\u00e9paratoire : \u00e9tudes sur les vernis, dossier administratif aupr\u00e8s des Mus\u00e9es de France, et recherche documentaire. Comme le souligne Aur\u00e9lien Vacheret, \u00ab\u00a0il faut entretenir pour que l’\u0153uvre ne se d\u00e9nature pas\u00a0\u00bb. Une pr\u00e9caution essentielle, d\u2019autant que le tableau sera prochainement pr\u00eat\u00e9 au Mus\u00e9e de Saint-Di\u00e9-des-Vosges pour une exposition en avril.<\/p>\n
Cette initiative illustre l\u2019engagement du Mus\u00e9e Charles de Bruy\u00e8res pour la conservation du patrimoine artistique r\u00e9gional, tout en permettant au public de red\u00e9couvrir une \u0153uvre qui, apr\u00e8s un destin mouvement\u00e9, retrouve enfin la place qu\u2019elle m\u00e9rite.<\/p>\n
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