![\"DSC09570\"](\"\/2016\/06\/DSC09570.jpg\")
<\/a><\/p>\nL\u2019exposition \u00ab\u00a0Georges de La Tour\u00a0\u00bb, organis\u00e9e par le Mus\u00e9e national du Prado (23 f\u00e9vrier-12 juin 2016) \u00e9tant termin\u00e9e, le mus\u00e9e d\u00e9partemental d\u2019art ancien et contemporain a le plaisir de retrouver le chef-d\u2019\u0153uvre de Georges de La Tour, Job raill\u00e9 par sa femme<\/i>, qu\u2019il conserve depuis 1829.<\/p>\n
L\u2019\u0153uvre a retrouv\u00e9 les cimaises et attend \u00e0 nouveau les visiteurs du mus\u00e9e d\u00e9partemental\u00a0!<\/b><\/p>\n
L\u2019\u0153uvre a regagn\u00e9 les espaces du parcours permanent du mus\u00e9e d\u00e9partemental d\u2019art ancien et contemporain. En raison des travaux entrepris en avril dernier au mus\u00e9e d\u00e9partemental, le tableau a chang\u00e9 d\u2019emplacement\u00a0: le visiteur pourra le retrouver parmi les autres \u0153uvres majeures du XVIIe<\/sup> si\u00e8cle expos\u00e9es au mus\u00e9e\u2026en attendant de d\u00e9couvrir son nouvel emplacement au sein du parcours r\u00e9nov\u00e9, en 2017\u00a0!<\/p>\nL\u2019exposition \u00ab\u00a0Georges de La Tour\u00a0\u00bb du Prado, enti\u00e8rement d\u00e9di\u00e9e \u00e0 l\u2019artiste lorrain, a permis de pr\u00e9senter la quasi-totalit\u00e9 de ses \u0153uvres connues \u00e0 ce jour (une trentaine, diss\u00e9min\u00e9es \u00e0 travers le monde). Gr\u00e2ce \u00e0 ce projet d\u2019envergure internationale, ce sont plus de 163 751<\/b> visiteurs<\/b> qui ont eu la chance d\u2019admirer les \u0153uvres de l\u2019artiste.<\/p>\n
Un artiste mondialement connu et pourtant tr\u00e8s secret.<\/b><\/p>\n
On conna\u00eet peu de d\u00e9tails de la vie de Georges de La Tour. N\u00e9 en 1593 \u00e0 Vic-sur-Seille, on sait que l\u2019artiste travailla pour le Duc de Lorraine, puis qu\u2019il fut peintre ordinaire du roi Louis XIII. Ses \u0153uvres sont rarement sign\u00e9es, et c\u2019est notamment par l\u2019exercice de comparaison que l\u2019on peut affiner leur chronologie. Que ce soit dans les sc\u00e8nes diurnes que l\u2019on associe au d\u00e9but de sa production, ou les sc\u00e8nes nocturnes de sa maturit\u00e9, Georges de La Tour travaille avec une ma\u00eetrise exceptionnelle le clair-obscur, le r\u00e9alisme et le quotidien, \u00e0 la mani\u00e8re d\u2019un Caravage. Apr\u00e8s sa mort le 30 janvier 1652 \u00e0 Lun\u00e9ville, le peintre tombe dans l\u2019oubli et c\u2019est seulement au d\u00e9but du XXe<\/sup> si\u00e8cle qu\u2019il est red\u00e9couvert, \u00e0 l\u2019occasion de l\u2019exposition \u00ab\u00a0Les peintres de la r\u00e9alit\u00e9\u00a0en France au XVIIe<\/sup> si\u00e8cle\u00bb organis\u00e9e au mus\u00e9e de l\u2019Orangerie de Paris en 1934-1935.<\/p>\n","protected":false},"excerpt":{"rendered":"L\u2019exposition \u00ab\u00a0Georges de La Tour\u00a0\u00bb, organis\u00e9e par le Mus\u00e9e national du Prado (23 f\u00e9vrier-12 juin 2016) \u00e9tant termin\u00e9e, le mus\u00e9e […]<\/p>\n","protected":false},"author":1,"featured_media":5137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,18],"tags":[462,1466,1467],"acf":[],"yoast_head":"\n
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