![\"023-007\"](\"\/2022\/04\/023-007-1024x732.jpg\")
<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Mercredi soir, l’actrice et r\u00e9alisatrice Monia Chokri \u00e9tait pr\u00e9sente \u00e0 G\u00e9rardmer pour pr\u00e9senter son nouveau film \u00ab\u00a0Babysitter\u00a0\u00bb dans le cadre […]<\/p>\n","protected":false},"author":42,"featured_media":58336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,4,25],"tags":[4977,4978],"acf":[],"yoast_head":"\n
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<\/a>![\"\u00a9](\"\/2022\/04\/\u00a9-Babysitter-Le-Film-Inc.-_-Phase-4-Productions-2-357x255.jpg\")
<\/a>Et on serait presque tent\u00e9 de dire que vous n’avez pas besoin d’en savoir plus pour aller voir ce film qui m\u00e9rite largement un visionnage dans une salle obscure, notamment en raison d’un esth\u00e9tisme original \u00e9labor\u00e9 pour le cin\u00e9ma… Mais pas que ! Inspir\u00e9 d’une pi\u00e8ce de th\u00e9\u00e2tre \u00e9crite par Catherine L\u00e9ger, \u00ab\u00a0Babysitter\u00a0\u00bb a donc choisi de s’attaquer \u00e0 la question du sexisme, du f\u00e9minisme et de la confusion qui l\u2019entoure parfois, mais aussi aux rapports de domination hommes-femmes. Et pour traiter cette question, Monia Chokri n’a ni choisi la facilit\u00e9 ni la lourdeur, ni le convenu ni le terrain connu. Elle a opt\u00e9 pour un film ambitieux, singulier et d\u00e9cal\u00e9, surprenant et pour certains d\u00e9rangeant. Un film qui n’offre pas de r\u00e9ponses toutes faites ni de v\u00e9rit\u00e9s universelles mais pose des questions et vous invitent \u00ab\u00a0\u00e0 cr\u00e9er vos propres r\u00e9ponses<\/em>\u00a0\u00bb au fil du temps.<\/p>\n![\"\u00a9](\"\/2022\/04\/\u00a9-Babysitter-Le-Film-Inc.-_-Phase-4-Productions-1-357x255.jpg\")
<\/a>\u00ab\u00a0Babysitter\u00a0\u00bb se garde bien de tout manich\u00e9isme et comme le pr\u00e9cise Monia Chokri \u00ab\u00a0chaque territoire aura sa propre lecture du film<\/em>\u00a0\u00bb , rappelant entre autres que la France n’est pas le Canada qui n’est pas l’Italie qui n’est pas etc. \u00ab\u00a0Au-del\u00e0 du film, l’id\u00e9e est de cr\u00e9er du dialogue entre les gens, de ne pas proposer du pr\u00eat \u00e0 penser, ce qui est finalement \u00e0 contre-courant de l’\u00e9poque\u00a0\u00bb <\/em>ajoute la r\u00e9alisatrice qui a \u00e9galement voulu d\u00e9peindre \u00ab\u00a0des gens qui ne sont ni noirs ni blancs, confront\u00e9s \u00e0 des questions corn\u00e9liennes.\u00a0\u00bb<\/em>. Au-del\u00e0 de la profondeur du th\u00e8me abord\u00e9 et au service de ces questions qui surgissent dans le film, Monia Chokri a opt\u00e9 pour la com\u00e9die, mais savamment parsem\u00e9e et assaisonn\u00e9e de codes surprenants emprunt\u00e9s \u00e0 d’autres genres. Le conte \u00ab\u00a0pour avoir plus de libert\u00e9<\/em>\u00a0\u00bb notamment, mais aussi l’horreur et le film \u00e9rotique des ann\u00e9es 70, certains y verront aussi une tension et des plans dignes des meilleurs thrillers…<\/p>\n