![\"rigoletto\"](\"\/2017\/03\/rigoletto-227x255.png\")
<\/a>Entre le duc, futile, licencieux, et Gilda, victime de l\u2019ignorance dans laquelle elle est retenue prisonni\u00e8re, se dresse la figure \u00e0 deux visages du bouffon bossu et du p\u00e8re obs\u00e9d\u00e9 par la mal\u00e9diction. Monstrueux et d\u00e9chirant, grotesque et sublime, le r\u00f4le-titre atteint son apog\u00e9e dans l\u2019air \u226a C ortigiani, vil razza dannata \u226b, dont le mouvement descendant, de l\u2019explosion de rage \u00e0 l\u2019imploration, affirme la capacit\u00e9 du compositeur \u00e0 plier une forme h\u00e9rit\u00e9e du bel canto \u00e0 la v\u00e9rit\u00e9 du th\u00e9\u00e2tre. <\/span><\/p>\n2h53 – 1 entracte<\/span><\/p>\nZoom sur la mise en sc\u00e8ne<\/b><\/i><\/span><\/span><\/em> :
\nA l\u2019op\u00e9ra, il y a l\u2019\u0153uvre et il y a sa mise en sc\u00e8ne.<\/i><\/span><\/span><\/em>
\nEt parfois, une mise en sc\u00e8ne exprime si parfaitement l\u2019\u0153uvre qu\u2019elle devient une r\u00e9f\u00e9rence.<\/i><\/span><\/span><\/em>
\nQu\u2019on se le dise: la mise en sc\u00e8ne de Rigoletto par Claus Guth \u00e0 l\u2019Op\u00e9ra Bastille est de cette lign\u00e9e. Con\u00e7ue avec finesse et intelligence, cette relecture du premier des trois op\u00e9ras populaires de Verdi redonne tout son sens \u00e0 l\u2019op\u00e9ra comme spectacle total : on y vit l\u2019\u00e9motion jusqu\u2019aux larmes.<\/i><\/span><\/span><\/em><\/span><\/p>\nR\u00e9servations possible \u00e0 la MCL d\u00e8s maintenant<\/b><\/i><\/span><\/span><\/p>\n18\u20ac plein tarif
\n15\u20ac Adh.MCL, Club Joa, Pass\u2019vacances, Ecole de Musique de G\u00e9rardmer
\n10\u20ac moins de 16 ans et Op\u00e9ra Bus<\/i><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"La MCL de G\u00e9rardmer vous propose une s\u00e9ance d’op\u00e9ra en retransmission avec \u00ab\u00a0RIGOLETTO\u00a0\u00bb. Dimanche 2 avril \u00e0 15h \u00e0 la […]<\/p>\n","protected":false},"author":1,"featured_media":25089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,4],"tags":[],"acf":[],"yoast_head":"\n
Op\u00e9ra en retransmission : RIGOLETTO - Gerardmer Info<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Op\u00e9ra en retransmission : RIGOLETTO - Gerardmer Info\" \/>\n<meta property=\"og:description\" content=\"La MCL de G\u00e9rardmer vous propose une s\u00e9ance d’op\u00e9ra en retransmission avec \u00ab\u00a0RIGOLETTO\u00a0\u00bb. 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![\"rigoletto\"](\"\/2017\/03\/rigoletto.png\")
<\/a>Entre le duc, futile, licencieux, et Gilda, victime de l\u2019ignorance dans laquelle elle est retenue prisonni\u00e8re, se dresse la figure \u00e0 deux visages du bouffon bossu et du p\u00e8re obs\u00e9d\u00e9 par la mal\u00e9diction. Monstrueux et d\u00e9chirant, grotesque et sublime, le r\u00f4le-titre atteint son apog\u00e9e dans l\u2019air \u226a C ortigiani, vil razza dannata \u226b, dont le mouvement descendant, de l\u2019explosion de rage \u00e0 l\u2019imploration, affirme la capacit\u00e9 du compositeur \u00e0 plier une forme h\u00e9rit\u00e9e du bel canto \u00e0 la v\u00e9rit\u00e9 du th\u00e9\u00e2tre. <\/span><\/p>\n