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{"id":71280,"date":"2017-04-01T16:00:37","date_gmt":"2017-04-01T14:00:37","guid":{"rendered":"https:\/\/vosgesinfo.fr\/epinalinfo\/2017\/04\/deyvillers-anne-dufala-doreuse-a-de-lor-mains-video\/"},"modified":"2017-04-01T16:00:37","modified_gmt":"2017-04-01T14:00:37","slug":"deyvillers-anne-dufala-doreuse-a-de-lor-mains-video","status":"publish","type":"post","link":"https:\/\/vi.si-developpement.fr\/epinalinfo\/2017\/04\/deyvillers-anne-dufala-doreuse-a-de-lor-mains-video\/","title":{"rendered":"Deyvillers – Anne Dufala doreuse, a de l’or dans les mains [vid\u00e9o]"},"content":{"rendered":"

<\/iframe><\/p>\n<p><strong>La doreuse Anne Dufala embellit les \u0153uvres par la noblesse de l\u2019or. A l\u2019occasion des journ\u00e9es europ\u00e9ennes du patrimoine, elle expose son savoir-faire au mus\u00e9e d\u00e9partemental d\u2019art ancien et contemporain d\u2019Epinal.<\/strong><\/p>\n<p><a href=\"http:\/\/epinalinfos.fr\/2017\/04\/deyvillers-anne-dufala-doreuse-a-de-lor-mains-video\/p1270351\/\" rel=\"attachment wp-att-111476\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-111476\" src=\"\/2017\/04\/P1270351.jpg\" alt=\"P1270351\" width=\"800\" height=\"600\" \/><\/a><\/p>\n<p>La dorure est une pratique qui demande de la patience, de la rigueur et beaucoup de dext\u00e9rit\u00e9 manuelle. Install\u00e9e dans les Vosges \u00e0 Deyvillers, la doreuse \u00a0Anne Dufala est passionn\u00e9e par les objets qu\u2019elle restaure. <em>\u00ab\u00a0Il y a une vingtaine d\u2019\u00e9tapes \u00e0 chaque fois pour mener \u00e0 bien un ouvrage. On n\u2019a pas le droit \u00e0 l\u2019erreur\u00a0\u00bb<\/em> explique la doreuse.<\/p>\n<p><a href=\"http:\/\/epinalinfos.fr\/2017\/04\/deyvillers-anne-dufala-doreuse-a-de-lor-mains-video\/p1270349\/\" rel=\"attachment wp-att-111477\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-111477 alignleft\" src=\"\/2017\/04\/P1270349.jpg\" alt=\"P1270349\" width=\"527\" height=\"395\" \/><\/a>Le savoir-faire de la dorure \u00e0 la d\u00e9trempe s\u2019utilise uniquement sur le bois, enduit de plusieurs couches de colle de peau de lapin et de la craie. <em>\u00ab\u00a0La colle de peau de lapin est ancienne. Elle est aqueuse et r\u00e9versible, c\u2019est \u00e7a qui nous int\u00e9resse dans la restauration d\u2019objets. La craie c\u2019est un pigment tr\u00e8s fin, beaucoup plus que le pl\u00e2tre par exemple.\u00a0\u00bb<\/em> commente Anne Dufala.<\/p>\n<p>Ces deux m\u00e9langes vont former un enduit qui sera tr\u00e8s fin et sur lequel, on va pouvoir coller la feuille d\u2019or. <em>\u00ab\u00a070% de notre m\u00e9tier c\u2019est de la restauration des enduits. Commence ensuite le travail de dorure\u00a0\u00bb<\/em> atteste la doreuse qui va d\u00e9tremper les enduits charg\u00e9s de colle avant d\u2019appliquer la feuille d\u2019or.<\/p>\n<h3><em>\u00ab\u00a0C\u2019est tr\u00e8s difficile \u00e0 travailler\u00a0\u00bb<\/em><\/h3>\n<p><em>\u00ab\u00a0On fait bien attention \u00e0 ne jamais toucher la feuille d\u2019or. C\u2019est tr\u00e8s difficile \u00e0 travailler. On utilise le souffle pour l\u2019aplatir, avec le pinceau, on vient rechercher l\u2019\u00e9lectricit\u00e9 statique de la joue pour la transporter sur l\u2019objet. Elle p\u00e8se un micron et est extr\u00eamement volatile.<\/em>\u00a0\u00bb explique la doreuse qui est \u00e9merveill\u00e9e \u00e0 chaque fois par les objets qui passent entre ses mains. <em>\u00ab\u00a0On a envie de revoir la pi\u00e8ce dans un bel \u00e9tat.\u00a0\u00bb<\/em><\/p>\n<h3>Une technique invent\u00e9e par les doreurs fran\u00e7ais pour Louis XIV<\/h3>\n<p>Au XIX\u00e8me si\u00e8cle va appara\u00eetre une deuxi\u00e8me technique appel\u00e9e la mixtion. Elle permet de dorer une plus grande surface, mais offre une finition matte.<em> \u00ab\u00a0La technique de la dorure \u00e0 la d\u00e9trempe a \u00e9t\u00e9 invent\u00e9e par les doreurs fran\u00e7ais pour Louis XIV.\u00a0\u00bb<\/em> note Anne Dufala. Avec cette technique, le but recherch\u00e9, c\u2019est la finesse extr\u00eame. <em>\u00ab\u00a0On peut faire plusieurs finitions brillantes\u00a0\u00bb<\/em> poursuit-elle.<\/p>\n<p>En France c\u2019est au XIVe si\u00e8cle que les premiers cadres font leur apparition, mais c\u2019est au XVIe si\u00e8cle que l\u2019on commence \u00e0 y mettre de l\u2019or en feuille. Il faudra attendre le XVIIe si\u00e8cle et le XVIIIe pour qu\u2019elle soit employ\u00e9e plus couramment.<\/p>\n<p>C.K.N.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-71280 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/vi.si-developpement.fr\/app\/uploads\/sites\/3\/2024\/08\/202009casting.jpg'><img width=\"300\" height=\"174\" src=\"https:\/\/vi.si-developpement.fr\/app\/uploads\/sites\/3\/2024\/08\/202009casting-300x174.jpg\" class=\"attachment-medium size-medium\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/vi.si-developpement.fr\/app\/uploads\/sites\/3\/2024\/08\/202009casting-300x174.jpg 300w, https:\/\/vi.si-developpement.fr\/app\/uploads\/sites\/3\/2024\/08\/202009casting.jpg 605w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>La doreuse Anne Dufala embellit les \u0153uvres par la noblesse de l\u2019or. 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